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Unique Durations: 8-9
Unique Chords: 3-6
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Samuel Ricke
Mozart: Adagio and Fugue For Strings in C Minor, K. 546
Samuel Ricke
8:03 Est. Play
Time
171 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 26 2 12 10 94%
Violins Treble 33 6 14 9 89%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 26 2 12 10 94%
Violins Treble 33 6 14 9 89%
Treble 27 4 13 8 92%
Violas 23 3 9 10 92%
 
Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart
Samuel Ricke
4:33 Est. Play
Time
76 Measures
2,218Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
Bass 28 0 7 5 99%
Viola 23 1 8 7 99%
Violino
II		 Treble 25 6 8 8 95%
Violino
I		 Treble 24 6 8 7 89%
Contrabasso Bass 20 0 6 4 84%
Fagotti 26 0 7 6 84%
Corni
di
Basetto		 Treble 21 0 6 9 78%
Tenore 14 0 4 6 76%
Alto 13 0 4 7 71%
Trombone
tenore		 16 0 3 6 68%
Soprano 14 0 4 9 67%
Trombone
Alto		 15 0 4 8 64%
Basso Bass 19 0 6 6 59%
Trombe
in
B		 Treble 8 8 0 4 27%
Trombone
Basso		 Bass 12 0 1 4 26%
 
Mozart: Great Mass "Große Messe" in C Minor, K. 427: I. Kyrie
Samuel Ricke
6:48 Est. Play
Time
94 Measures
2,544Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Bass 46 144 19 7 98%
Viola. 25 5 10 8 98%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Bass 46 144 19 7 98%
Viola. 25 5 10 8 98%
Violino
I.		 Treble 30 4 12 7 98%
Violino
II.		 Treble 27 4 10 8 98%
Violoncello, Basso
ed
Organo.		 Bass 36 0 14 7 89%
Fagotti. Bass 24 9 9 8 73%
Soprano. 18 0 6 6 66%
Oboi. Treble 24 6 9 7 61%
Alto. 17 0 6 8 59%
Tenore. 18 0 6 8 52%
Basso. Bass 19 0 7 8 50%
Trombone
I.		 14 0 4 7 41%
Soprano Solo. 22 0 7 12 40%
Trombone
II.		 18 0 6 6 36%
Corni
in
C.		 Treble 6 5 1 6 30%
Trombone
III.		 Bass 17 0 5 6 24%
Trombe
in
C.		 Treble 5 4 0 6 19%
Timpani
in
C.G.		 Bass 2 0 0 6 14%
 
Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"
Samuel Ricke
12:38 Est. Play
Time
125 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
Violino
I.		 Treble 34 1 15 8 96%
Contrabasso. Bass 25 0 10 5 90%
Violoncello. Bass 26 0 10 5 90%
Fagotti. Bass 25 25 9 7 57%
Clarinetti
in
B.		 Treble 26 29 9 7 53%
Oboi. Treble 23 26 10 5 35%
Treble 23 34 11 7 52%
Corni
in
Es.		 Treble 11 10 2 5 48%
Flauto. Treble 19 0 9 7 47%
 
*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso
Samuel Ricke
31:30 Est. Play
Time
547 Measures
12,688Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
Violino
I.		 Treble 37 22 20 10 88%
Viola. 30 48 16 10 88%
Oboi. Treble 27 64 12 10 84%
Fagotti. Bass 35 57 17 10 84%
Basso Bass 32 0 16 10 83%
Clarinetti
in
B.		 Treble 36 85 17 10 82%
Corni
in
D.		 Treble 14 22 4 9 80%
Flauti. Treble 31 41 12 10 80%
Corni
in
B
basso.		 Treble 16 17 3 10 65%
Trombe
in
D.		 Treble 12 6 2 9 59%
Timpani
in
D.A.		 Bass 2 0 0 8 58%